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Pete Forde pointed me to an interesting discussion of an iOS 6 Safari bug that affects Ajax calls.

I later came across a discussion of a different bug, also affecting Ajax calls.

I know it’s only day one for iOS6 and the odd bug is expected, however I find it jarring that with Apple’s strong advocacy of HTML5 and JavaScript to create interactive web apps, these issues could creep into Safari without someone considering the implications or finding the issue before release.

Just got off the phone with Kathy Shailer, Dean of Liberal Studies at OCAD University. She has been catching all the flak over this textbook issue, and today hosted one meeting with the students and another with the publisher.

I’ll not try to cover the entire discussion since they have yet to formulate a statement about the day’s proceedings, however my precis is this:

• OCAD takes this seriously. They want to work with the students and the publisher to resolve it to everyone’s satisfaction.
• The publisher is responsive and there are positive actions being planned.
• On the whole my personal impression is that this will be a prime example of a very good response to criticism.

For my part I will say that despite this misstep, I still consider OCAD to be a world-class school.

Update:

OCAD has posted their official statement after conferring with the students and publisher.

What do you think?

OpenFile.ca has a good blog post covering the OCAD textbook issue. There’s actually some feedback from the school.

I spoke with OCAD’s Dean of Liberal Studies, Kathy Shailer, about this issue shortly after this post. Shailer says that comparisons between OCAD textbook and other standard texts are unfair, since the OCAD-made custom text is designed to be broader than any one book would be.

“What this text does is bring together a very good art history text, and a very good design text, and a lot of material so that we could bring in aboriginal and Canadian art as well,” says Shailer. According to Shailer, most standard art history texts focus heavily on western European art history while giving less space and attention to Canadian or First Nations perspectives.

As Shailer notes, OCAD also needs to address the “D” in its acronym: design. This is something Shailer says wouldn’t be adequately covered by a single art history text.

“Design has more of a focus on objects, material culture, architecture, interior and graphic design. It has really evolved over the 19th, 20th century and is paid really short shrift in an art text,” says Shailer.

True. Design failure is what this issue comes down to. Had this been designed as an online reference with a spiral-bound offline study guide with references, I would have still argued the price but it would not have provoked quite the same visceral reaction.

The problem is that it was designed as a hardback finely bound glossy paged book with complete layouts for the pictures, and then… Lunchbag Letdown. Lucy Van Pelt came along and pulled away the football just as we were about to kick it.

It looks like an Art History textbook. It feels like an Art History textbook. It smells like an Art History textbook. It tastes like an Art History textbook. Good thing we didn’t step in it though, because it’s not exactly what it purports to be. The textbook definition of a sham.

Please take note that I’m not calling it a scam. I’m absolutely certain that this was done with the best of intentions, just poorly executed.

Notice:
The town hall meeting hosted by the Dean to discuss this issue will be on Thursday Sept 20, 2012 from 12:30 to 1:30 in room 284 at OCAD.

I seem to have shined (shone?) a light on a newsworthy issue in my last couple of blog posts about OCAD’s pictureless Art History Text, and how it is itself almost a self referential topical meta objet d’art.

I’m surprised at the varied articles written on the subject, and the often insightful discussions that have ensued.

• Techdirt
• National Post: Article #1 Article #2
• Metro News
• Toronto Star
• Huffington Post
• Toronto Life
• Gawker.com
• Yahoo.com via Tecca.com
• BoingBoing
• Chronicle of Higher Education
• Fark.com
• … et al

A couple of notes and observations:

1. I am working about 40 km away on Thursday so I won’t be able to attend the town hall meeting and my daughter has classes throughout the day. Would be nice if someone could log the proceedings for me.
2. It’s been speculated that Pearson Education who publishes the book may be under the same ownership umbrella as the publishers of the original books. This could imply that contention about rights transfer may be overstated. Could someone pose that question at the meeting?
3. I think it’s important to underline the fact that this book
   covers ONE SEMESTER, and that a SECOND edition is slated for the next one-semester course FOR ANOTHER $180.
   What the fuck? Can I even say fuck here? Is this mic on? Sibilance!!
4. I’m told the book comes with a code or login of some sort to allow restricted access to the online material. When does that expire?

I’ve had it said to me that since the book/website provides access to all the material, what do I want out of all this?

What I want is value. With this plan, one gets a book that is useless on its own and restricted access to a website presumably for a limited time – certainly only three months of use and direct relevance. I’ll pay $30 for that if I have to and it will last about as long as the Doppio Espresso I get at the Starbucks at Chapters/Indigo when I go to buy the $50 nicely bound remaindered art book that will festoon my coffee table. See, I said “festoon” again. That word’s chance to shine has been long overdue.

Alternatively, I will be content with one or more hard-backed books, professionally bound, with illustrations consisting of full color plates. After my daughter has used them for school I can read them and learn from them when and wherever I like without electricity or network connection, lend them, use them to stop my table from wobbling, press flowers in them, and assign them to my descendants. Possibly 100 years or more of use and continued relevance. I’ll pay the going rate for such treasures, seems as though it would add to about $200 from what I hear.

Update: Worser and worser. It’s turtles all the way down.

In my recent post, I told the story of students reacting to an expensive and lacking new textbook and the school assuring them that the textbook is really quite reasonable. I was almost ready to chalk it up as a misunderstanding.

That is, until I saw the preview chapters. What an unmitigated sham of a travesty of a mockery of a hand-drawn-facsmile of a textbook. Scratch that, a hand-drawn-facsimile would be a step up.

For the purposes of review and criticism, here is a single example page from this ridiculous excuse for an Art History textbook costing $180 (+ tax = 203.40).

Notice there are callouts from the bottom image-placeholder. When the student gets home from trying to study the book on the subway, they’ll have to type in the url and approximate in their mind where the callout is pointing to in the online picture.

Wow. I really thought it couldn’t be this bad.

I am really interested to see what sort of attempt OCAD University makes to clean up this toxic spill.

Can anyone send me a photo of one of the actual pages of the printed book?

Note: The misunderstandings that led to this issue have been addressed by OCAD University as detailed in the updates at the bottom of this article, however as I find out, It’s As Bad As That And Worse

My daughter started at OCAD University this fall.

One of her main required courses is Global Visual and Material Culture: Prehistory to 1800 which, as you might guess, requires a $180 textbook.

Students are required to buy the newest version of this textbook, presumably because as you well know, stuff that happened in the period spanning Prehistory to 1800 changes every year.

This year, however, the textbook for Global VISUAL and Material Culture has no pictures. Students have been told that the publisher couldn’t get the copyright permissions settled in time for the print run, so students will have to read the book, and see the pictures online by following along on their computer.

There is no discount on the $180 price for an ART textbook that has NO PICTURES. Devoid of pictures. Bereft of art. If I am going to have to pay $180 for an art history book that is of no resale value to next year’s students, it had damn well better be an excellent visual reference with hard cover and full colour plates, to keep around for years, festooning my coffee table and that of my heirs.

Someone has started a petition against this idiocy. I’ve signed it because I’m not particularly interested in paying any amount for an imageless art history textbook.

I’d be interested to know how this wasn’t an issue with the book last year (or any previous year for that matter), and which Renaissance painter rose from the dead to claim copyright.

I thought Canadian universities had figured this all out but it seems they’re still waffling, and if and how that relates to textbooks I’m not sure.

Update:

From what I can gather so far, this is a new book that one commenter on the petition calls “perfectly geared to this course”. I’m not sure whether that means it was specifically written and published to be used for this course, but its early incomplete release seems to be aimed at making it available for this semester. Since another book was used last year for the same course, I cannot see why last year’s curriculum could not be followed until the new book is ready rather than introducing a new curriculum based on an incomplete and rushed-out publication. How is it that the instructor is so committed to this particular text that this very peculiar choice would have been made?

OCAD Response:

I was just reading about how OSX Mountain Lion is by default restricting app downloads to the App Store.

How long before the “anywhere” option disappears?

How long before you can’t avoid upgrading to Mountain Lion or its successors?

Apple is moving further down the road I predicted two years ago. Windows 8 is experimenting with similar things, but Microsoft doesn’t have the hardware lockin.

I admit it’s not evidence of the app-ocalypse, but it may indicate a slow rise to a boil. I love my Macbook Air, however I was a latecomer as a Mac fanboi, and I’ll be ready to jump back over to the Linux or BSD pots before it gets too steamy.

Sara Chipps, Girl Developer points out quite rightly that there is no such thing as proprietary client-side Javascript, and goes on to opine eloquently about the absurdity of many patent lawsuits.

I occasionally find myself talking with someone about facebook chat or google chat and I’ll say “I sorta invented that” and point them to my Feb 2002 blog entry where I built and released to the wild what was one of the earliest embeddable DHTML chat windows, using my also free and open what-was-not-yet-called-Ajax library I released in 2000, about 5 years before many people came along and pushed the state of the art much further down the road.

Invariably I am told that I should be rich and that all those sites and people “stole” my ideas. I disagree and say that these were all perfectly obvious inventions to me and all the others who came after me and that it was my duty to the net to feed my work back into it such that folks could stand on my shoulders as I had stood on those of others.

That is how the net works – or at least it used to. It still does in open development circles but the content and patent industries are fighting hard to brainwash everyone that knowledge is inherently owned.

This is what it’s all about, from a pure philosophical perspective:

Anything that is knowable is a part of the universe of truth that has no owner and no bounds. The invention or discovery of anything results in the exposure of one or more hitherto undocumented universal truths to the collected human record.

The true and original purpose of copyright and patents is to create a temporary legal fiction which acts in many respects like ownership, conferring upon an individual person rights to control the use and dissemination of morsels of universal truth which they had the luck and/or tenacity to first identify, so they can be recompensed for their contribution to the universe’s growing stockpile of exposed truth for the benefit of all humanity.

The legal expansion to include corporate personhood and subsequent term extensions tending towards permanence of the legal assignment of ownership equivalence amounts to the expropriation and destruction of large parts of humanity’s natural knowledge resources.

It’s not too much different from bulldozing the rainforest.